More Plagiarists in Our Midst

In a previous post, “Plagiarism Alert” and its subsequent updates, I alerted my readers of a plagiarist going by the following names:

Rebecca Geissler
Rebekah Geissler
Becky Geissler
Rebecca Bick
Rebekah Bick
Ana Phylaxis
M. Ana Phylaxis
Mistress Ana Phylaxis

Byronee (which is actually the name of a character from one of the stolen stories)

BizarreBettyXXX (this is her made-up publishing house)

This woman has farmed stories from adult literature sites as Literotica and ASSTR.  Thanks to many dedicated authors, a few more kleptomaniacs have been found pushing their stolen wares through the Kindle store at Amazon.com.  Many of these stories were farmed from the same adult sites.  Most of these stories are being sold under various names:

Elizabeth Summers – has 89 stolen stories and books offered on Kindle at $6.99/each

Kelly Jordan – appears to be a duplicate account of the same person owning the E. Summers account.  A lot of the titles and cover art are the same on both accounts.  27 stories at $6.99/each

Victoria Andersen – could possibly be another duplicate account or another person altogether.  27 stories/books

There is talk that these accounts are reincarnations of a previous known plagiarizer that was selling stolen wares through Kindle on Amazon, an account by the name of “Louise Taylor.”

There are, of course, dozens of others out there.  Authors are slowly alerting Amazon to this raging problem, getting some of the plagiarized works yanked as a result.  It’s a small victory, but a victory nonetheless.

Tracy Ames has written a wonderful article concerning this matter entitled “Plagiarism is the New Black.” You can view it by clicking here.

POD Pushers, the Great Kindle Swindle, and More: Plagiarism Goes Hi-Tech

 

During the “good old days,” a plagiarizer had to actually work for their ill-gotten money.  It required them to find a book that had been out of print for decades, take it home, and, depending upon just how lazy they were, reread it, edit a few key features (like character names and places and times) and then retype it.  They then had to find an agent followed by a publisher who had never read the story before and who agreed to publish the stolen storyline.  It was a risky business.  The agent and publishers had their real names, their real addresses, and often made them provide proof of actual ownership of the story by coughing up their registered copyright notification.

In today’s digital media age, finding works to plagiarize is as easy as typing in “free fiction story” into Google and clicking on “search.”  Thanks to websites, community writing groups, role-playing forums, and the ever-increasing adult literature sites, thieves can now find literally hundreds of thousands of free stories in every imaginable genre.  And since, according to copyright law, a writer’s work is immediately protected upon its creation, writers are posting their intricate tales and passion-filled poetry all over cyberspace.  Their reasons are as varied as the writers who pound away ceaselessly at the keyboards:  there are those who just want to share their work with the world at large, those who are using the internet as their own “publishing” company, and others are self-publishing authors who are posting samples of their work to online sites and communities as a way to build up their reader base.  And stealing those works is as easy as Select.  Copy.  Paste.

Thanks to the digital age, becoming a published author is fairly easy and, for those who are willing to do all of the hard work themselves, it costs them nothing but time and energy to produce the product.  They can even save advertising dollars by hooking up all their free networking sites together and pointing their readers to these pages.  Thanks to POD services and e-book publishers like Amazon and their Kindle reader, authors can now forgo having to pay huge sums of out-of-pocket cash for hundreds of copies of their works and simply have them printed out on an as-ordered basis.  And thanks to ebooks, they can now offer their works cheaper and instantly through downloadable PDF files.

Unfortunately, this ease of self-publication has also made it easy as pie for plagiarists to steal the written word off the internet.  They are now farming entire sites for story content, copy and pasting directly into text documents.  Since ebooks do not need any type of special formatting like printed books do, the thieves do not really have to put forth any real effort into making the stolen content fit a specific format.  They can basically copy and paste directly without even trying to space out the stories.  They are using the technology that was invented to make it easier for the indie authors to reach their readers and using it against the authors.

To make matters worse, places like Amazon who offer publication through their e-book format, do not check any of the information that is given when an account is created.  Since everyone gets paid mostly through Paypal, they have no reason to check the account holder’s real name or address.  Thanks to oversights such as these, plagiarists are creating dozens of accounts and offering their stolen stories and novels for sale through e-book format, often times just closing one account out and creating others whenever someone gets wise to their thieving ways.  To add insult to injury, Amazon does not even offer any way for plagiarized authors to report books as stolen works.  And judging by a recent indie author’s personal plight of trying to convince Amazon that his work had been stolen and included in an anthology published by a plagiarizer, the company obviously does not take plagiarism and copyright violations nearly as serious as they should.  After all, they are getting paid for each copy of book/e-book that is sold on their site.  They don’t care if it is stolen or not, so long as they get their money.  And the more stuff that gets reported as stolen, the more money they are losing by not checking out the “authors” who sell their works on the website.  Spotting them is fairly easy; they are the ones who have put up more than a dozen books and anthologies in the past few weeks and offer the same titles under a half-dozen different names.

Many authors have made suggestions for stopping the internet theft.  Obviously sites need to offer some way for general web surfers to report books as stolen.  Anyone who offers up anything for sale online, whether it be in e-book or print form, should have to file formal copyrights on it and give a copy of this registration before anything can be uploaded to the site.  This goes for POD companies as well.  Or, hosted works should be compared to other published content across their own site and the web to look for similar content offered under other names/accounts.  Accounts should be verified by verifying the physical address of the member.  Of course, some of these things would mean the “publisher” or “author” would have to wait a few weeks before they are able to begin selling their books with the company.  However, speaking as an author who has had my work plagiarized, I do not mind the extra wait time if it means that my work will be less likely to be stolen.

As for websites that constantly farm stories off of other story hosting sites and then use the stories without content of the original authors, this could become tricky.  Ideally, there should be some way for hosts of websites to have all posted content on websites scanned and compared to other content listed on the internet.  This may not be feasible, however, and as it stands, most websites have some type of “report” button on them for surfers to report directly to the admins of the website.  I would love to see ALL websites sporting a report button that leads directly to the hosting company where surfers can report content on a website as being stolen.  Or, the hosting company could implement crawls of their hosted sites’ content on a regular basis and compare it to content hosted elsewhere on the internet.  Of course, this would mean possible abuse of the system, added work load for the hosting companies, and many website owners would not like the idea of having their content crawled on a regular basis.  There would also have to be some sort of system worked out so that authors who post their stories on multiple sites would not have their content yanked for plagiarism.

All in all, the very technology that was created to help authors become self-sufficient and reach their readers on a broader spectrum without having to resort to traditional publishing and to allow them more artistic freedom of their finished product is being used against the authors it was designed to help.  What is making it quick and easy to sell works to masses of new readers is being used to sell stolen books, stories, and poems to millions of unsuspecting readers.  It is cheating authors out of potential royalties, it is stripping the author of their law-given right to be acknowledged as the creator of the stolen works, and it is infringing upon their copyrights as the creator of the stolen works.  It is thievery, pure and simple, and it is a problem that needs to be stamped out like a wildfire, systems put into place to stop the thievery, and a systematic way to report all stolen works to a main organization whose sole job it is to search out and destroy all instances of plagiarism.

**Another great article on the great  “Kindle Swindle” by Laura Hazard Owen at PublishingTrends.com

Mythical Creatures in Fiction: What to Keep, What to Toss?

As a writer who prefers creating stories about mythical creatures, specifically the vampire, I realized early on that there were specific “rules” that vampires have to adhere to in order to make them seem as real as possible.  I don’t just mean rules of etiquette, although those certainly do come into play.  I am referring to rules of anatomy, i.e. their physical being, what they can and cannot do, their “powers” if you will.  Are they truly undead?  Or are they some sort of other creature, not a walking corpse but a combination of sorts, like how a werewolf is a combination of man and wolf.  Does it have any special powers such as being able to fly or hypnotize or produce magic of some sort?  Why do they have to drink blood, exactly?  Or should a writer leave some things to be filled in by the reader, never really giving a good explanation of why or how things work the way that they do in a novel.

I find myself asking this question over and over again:  if you cut a vampire’s hair, does it grow back?  I suppose this would mostly depend on whether or not the vampire in question is considered a dead thing or simply some ‘other’ type of mystical creature.  Or maybe, as a writer, one could break all the rules and have the vampire’s hair grow back even if it was considered this undead thing walking the earth.

In writing fiction, anything goes.  However, with each new idea, as a writer, one must decide if the storyline will be based mostly in fact, mostly in fiction, a combination; will it be so vastly “out there” that the reader has no doubt that it could never really happen, or will it be close enough to reality that, even though the creatures are mythical and the storyline outlandish, somewhere in the back of the reader’s mind he thinks that maybe, just maybe, such a being really could exist.

Whichever direction a writer chooses to go, it is an individual choice, and one that is most often made with much forethought and planning.  So as readers, please do not be too quick to judge.  What you may find fantastical and so beyond the scope of the norm as to be laughable might have been just what the writer was aiming to achieve.  And you never know.  What may seem absolutely ridiculous now might actually be feasible in a few thousand years.

How Easy is it to Steal the Written Word Online?

 

This article has been rewritten and expanded, and is now located here on The Wrong Way to Write Well: Articles for Writers.

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